I’m thrilled to play with exceptional saxophonist Danny Walsh and his lovely wife Emiko every Thursday 6pm-9pm at The Sound Bite. The Sound Bite is located on 9th Avenue at 50th Street.
My trio will be playing for AirTrain Jazz Festival on Thursday April 4th, 2019. Music from 5pm to 7pm. Click here for more info.
Here’s something I wrote recently. Demo is done on a Yamaha Motif.
Here’s another pop instrumental I wrote a while back. I played this tune live with John Cooksey, Chip Crawford and Chris Hemingway. John liked this tune a lot. The recording is a demo done with Yamaha Motif.
I made this sticker for promotion. You’d find on my amps, guitar cases or places I visit. If you see one, leave a comment with the location you spotted it.
I’ve tried to compose some pop materials with singers in mind, but without lyrics. My goal is to write good melodies which can be used with different arrangements or use some interesting harmonic movement or both. I usually come up with old school melodic ideas nobody cares about these days. I post 3 examples I wrote fairly recently. 2 of them I tried on stage with Adrienne McCay (organ)and Phillipe Allaert (drums) at Farafina. Please bear in mind all recordings are done with an old Yamaha Motif with no live instruments. They are just sketches. I hope you like them.
- Come As You Are
- Night Sky
The guitar is “T. And Joodee, JP200”, made by Shiro Tsuji in 1980’s. I bought this guitar when I was 23. Way back! I found this one at a music store in Kanda, Tokyo. It looked so good I had to buy it. The guitar was acoustic but came with a detachable DeArmond pickup. I brought this with me when I moved to New York in 1988.
I couldn’t play shit back then and I thought the reason I couldn’t play was because I didn’t have a decent instrument. Talk about ignorance! So I brought the guitar to Steve’s Studio in Colonia, NJ and asked Steve to do something. He installed the Hi-A pickup (Bartolini) attached to the neck, volume and tone controls on the pick guard, and the output jack at the end pin. He also replaced the nut and adjusted the neck and did some fret work. I traded the DeArmond pickup to reduce the repair cost (I still regret). The guitar didn’t improve my playing magically as I expected.
Then the guitar had stayed in its case for a long time.
Around 2012, when I was playing with Scott Fragala and Matt Skeaping, I got the guitar out and start playing again. The condition of the guitar was pretty bad and this time I brought the guitar to Tetsuya Nakamura to fix it. He re-fretted, changed the pick guard, changed the bridge and installed the controls on the body.
I played for a while and it went back to its case again.
Recently I found DR makes strings called Zebra which is a hybrid of bronze and steel strings. I tried them on this guitar and really fell in love with the guitar for the first time (I never liked the guitar except for the beautiful look). The blend of acoustic and electric sound it produces is just amazing. I hope it stays out side the case this time.
I’ve been playing at this cozy sushi restaurant called Yuzu for a while now. Yuzu is the place for me to have good sushi and “sake” in Harlem. I play there once a month, usually the last Saturday of the month, with another musician, either a bassist or a guitarist. This is the only gig I do under my name so I act like I want to act without restricting myself much. Next one is on November 19th with bassist Atsundo Aikawa. 7pm to 10pm.
350 Lenox Ave., New York, NY 10027
I played last night with bassist Bill Crow. Bill always amazes me. At the age of 88, he remembers everything he did, saw or heard and keeps the memory like a computer database. Whenever he hear something interesting or funny, he starts telling a story related to that topic. Last night he told me that Stan Getz grew up in the Bronx and was a bassoonist before picked up the saxophone. A walking Wikipedia, I like to call him. The picture is two books he published “From Birdland to Broadway” and “Jazz Anecdotes” translated by Haruki Murakami for Japanese readers. He autographed these books for me a little after we started playing together at Red Hat Bistro in Irvington about 7 years ago.
We are playing at Red Hat again with Hiroshi Yamazaki starting June 8th.
A new season of Sunday jazz program at Settepani is kicking off this Sunday, May 8th. Duke Jones is away for an out-of-town gig, so I called Alan Eicher on piano and Aaron James on bass. I’m looking forward to playing with these excellent musicians. Music from 7pm to 10pm. No cover. Please come through and support live music in Harlem.
Settepani is on Lenox Ave. at 120th St.